From 1606 he was, along with Inigo Jones, responsible for "painting and carpentry". With the success of his plays and masques, such as The Satyr (1603) and Masque of Blackness (1605) Jonson wrote less material for the public theatres and more for the court. In 1605 he was imprisoned, along with John Marston and George Chapman, for poking fun at the Kings Scottish countrymen in Eastward Ho!. In 1603 he was questioned by the Privy Council about Sejanus, a politically-themed play about corruption in the Roman Empire. His trouble with English authorities continued. Jonson quickly adapted himself to the additional demand for masques and entertainments introduced with the new reign and fostered by both the king and his consort, Anne of Denmark. Jonson, in 1601, was employed by Henslowe to revise Thomas Kyd's The Spanish Tragedy - hackwork which suggests his financial difficulties during this period.Īt the beginning of the reign of James I of England in 1603, Jonson joined other poets and playwrights in welcoming the reign of the new King. Neither the affair or his Catholic conversion seem to have negatively affected Jonson's reputation, as he was back again at work for Henslowe within months. He escaped hanging by pleading benefit of the clergy, thus forfeiting his property and being branded on his left thumb. In prison Jonson was visited by a Roman Catholic priest, and the result was his conversion to Catholicism, to which he adhered for twelve years. In a duel, on September 22 in Hogsden Fields, he had killed an actor of Henslowe's company named Gabriel Spenser. This play was followed the next year by Every Man Out of His Humour, a pedantic attempt to imitate Aristophanes, that was not a stage success.īefore the year 1598 was out, Jonson found himself back in prison and in danger of hanging. His friend William Shakespeare was among the first cast. In 1598, Jonson produced his first great success, Every Man in his Humour. It was the first of several run-ins with the authorities. Copies of the play were destroyed, so the exact nature of the offense is unknown. In 1597 was imprisoned for his collaboration in writing the play The Isle of Dogs. An undated comedy, The Case is Altered, may be his earliest surviving play. None of his early tragedies survive, however. For five years somewhere in this period, Jonson lived separate from his wife, enjoying instead the hospitality of Lord Aubigny.īy the summer of 1597, Jonson had a fixed engagement in the Lord Admiral's acting company, then performing under Philip Henslowe's management at The Rose.īy this time, Jonson had begun to write original plays for the Lord Admiral's Men and in 1598 he was mentioned by Francis Meres in his Palladis Tamia as one of "the best for tragedy". His eldest son Benjamin died of the plague ten years later, and a second Benjamin died in 1635. The registers of St Martin's Church state that his eldest daughter Mary died in November, 1593, when she was only six months old. He soon had enough of the trade, probably bricklaying, and spent some time in the Low Countries as a soldier.īen Jonson married some time before 1592. Jonson himself said that he did not go to university, but was put to a trade immediately. On leaving, Jonson is said to have gone on to the University of Cambridge. Martin's Lane, and was later sent to Westminster School, where one of his teachers was William Camden. His father died a month before Ben's birth, and his mother remarried two years later, to a master bricklayer. Creó dos tragedias históricas, Sejanus (1603) y Catilina (1611), y cuatro comedias brillantes que consolidaron su reputación como dramaturgo: Volpone (1606), Epiceno o la mujer silenciosa (1609), El alquimista (1610) y La feria de san Bartolomé (1614).īen Jonson falleció en Londres el 6 de agosto de 1637.Benjamin Jonson (JAugust 6, 1637) was an English dramatist, poet and actor.īorn in Westminster, Jonson's arms, "three spindles or rhombi," are the family device of the Johnstones of Annandale, a fact which confirms Jonson's own assertion of Border descent. Estas mascaradas, incluyendo El sátiro (1603), Mascarada de la belleza (1608) y Mascarada de las reinas (1609), se representaron casi siempre en elaborados escenarios italianos. Cuando Marston y Chapman fueron encarcelados por las opiniones vertidas en esta última obra, Jonson se unió a ellos voluntariamente.ĭesde 1603 escribe mascaradas para la corte del rey Jacobo I Estuardo cumpliendo con su papel de poeta laureado desde 1616. Éstos lo atacaron en Satiromastix (1600). Posteriormente escribió comedias como, Las diversiones de Cynthia (1600) y El poetastro (1601), en la que satirizaba a los dramaturgos Thomas Dekker y John Marston. Después de este percance escribió Cada cual sin humor, un trabajo ambicioso que fue la obra de teatro más larga jamás escrita para el teatro público inglés.
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